"I grew up listening to big pop songs with big choruses," she says. The dichomomy comes from a shared passion for both electronic music and dubstep as well as folk music, Goulding says. Goulding's "Lights" consists of 10 tracks of anthemic pop, especially the soaring title track "Lights." It suggests another British singer with a soft touch and a thing for electronic music, Natasha Bedingfield.īut there are also quieter tracks, like a cover of Elton John's "Your Song." The singer is trying to change that with an American tour that includes stops at the festival South by Southwest as well as at Washington's Rock and Roll Hotel, where she performs Tuesday. In stores in the United States for only a couple of weeks, the upbeat album hasn't quite caught on with the American public. Joining their ranks this year is Ellie Goulding, a 24-year-old singer from Hereford, England, whose new album, "Lights," has already climbed to the top of the British music charts.
Then there's Florence Welch and Elly Jackson, of La Roux, not to mention the ones who started it all, Lily Allen and Amy Winehouse. There's Adele, out with new album "21," and there's Duffy, of the ubiquitous "Mercy."
There are so many big-voiced female British singers, it's hard to keep track of them.
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